£4.80 salmon-roll (bap), £2.50 cup of coffee, £5.50 cheese-cake

 

£4.80 salmon-roll (bap), £2.50 cup of coffee, £5.50 cheese-cake

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site-specific sonic work responding to Leadenhall Market, London

2 channel audio, 6 mins

the piece can be listened to 24/7 by using (preferably good) headphones/earphones and connecting a handheld device to the Musicity webapp on your smartphone at Leadenhall Market (London).

commissioned by Musicity x Sculpture in the City

Launched at Nocturnal Creatures, Whitechapel Gallery’s late-night festival

6 pm 21 July 2018 > Present

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ロンドンのLeadenhall Marketのために作られたサイトスペシフィック音響作品

2チャンネルの音響作品、6分

ロンドンのLeadenhall Marketにて、お手持ちのスマートフォンなどのデバイスからMusicityのウェブサイトにアクセスすると、お聴きいただけます。お手持ちのデバイスに接続できる(できれば音の良い)ヘッドホンかイヤホンのご持参が必要です

Musicity x Sculpture in the Cityからの委嘱

Whitechapel GalleryのNocturnal Creatures late-night festivalにて発表

2018年7月21日18時から現在

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This site-specific sonic work is the artist’s response to Leadenhall Market. Kakinoki chose the place because of his ongoing research interest in the culinary culture and human history. 

Considering the market’s historical identity as a fresh food market, the market has changed a lot, while its streets and alleys remain almost identical to what they used to be hundreds of years ago. Fenchurch Street, Leadenhall Street, Lime Street, Gracechurch Street, which surrounds the market today, can be found in the A to Z map of Elizabethan London made in around 1560. 

The artist's research went from the old maps of the area, the historical books on the subject, the literary works and the advertisements in different centuries depicting the past of the market, to the culinary history of England around meat and fish. Along with the research, Kakinoki visited the market at different times to observe it, eat and drink in the shops, talk to the merchants of today, and soak himself into the visible and invisible history of it.

In the work, the conflicting layers of the spoken words on the multiple aspects extracted from the researched histories, the field recording of the artist walking in the current market while talking to himself and people at different hours, and the noisy interludes generated from the sounds recorded at the site including construction work, invite the audience to dive into the place, with various elements including historical dynamicity, transience and dignity inherent in the market. The spoken words were read by artist Doran Edwards, whose family have roots in East London.

Credit

Voice:

Doran Edwards, the people in Leadenhall Market, Kakinoki Masato

Special thanks to:

Michael Koullas, Raffaella Moreira, Martin Lau, Lionel Ward, Tan Wang, Jonny Tanna, Andrew Cheng, Andrew Lewis

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このサイトスペシフィック音響作品はLeadenhall Marketに対する作家による応答である。Kakinokiは彼のリサーチ対象である食文化と人類史との関連性において、この場所を選んだ。

Leadenhall Marketの生鮮食品市場としての歴史的アイデンティティから考えれば、この場所は大きく変わったが、現在マーケットを囲むFenchurch Street、Leadenhall Street、Lime Street、Gracechurch Streetといった通りは、1560年頃に編纂された『A to Z map of Elizabethan London』でも確認することができる。

制作におけるリサーチは、地域の古地図から、対象に関連する歴史文献、マーケットの過去を複数の異なる時代から描き出す文学作品と広告物、イングランドにおける肉と魚にまつわる食文化史に渡った。リサーチと並行して、Kakinokiはマーケットを様々な日時において訪れ、観察、店での飲食、今日の商人たちとの会話、目に見えるあるいは見えないマーケットの歴史への浸漬を行った。

作品においては、リサーチした歴史から抽出された多数の様相を語るスポークン・ワード、作家がいくつかの時間帯に自分自身や人々と会話をしながら今のマーケットの中を歩くフィールド・レコーディング、マーケットで行われていた建設工事の音から創出されたノイジーな間奏といった矛盾し合うレイヤー群が、歴史的動的性、一時性、尊厳といったマーケットに内在する様々な要素とともに、鑑賞者をこの場所への没頭へと招き入れる。スポークン・ワードは、家族が東ロンドンにルーツを持つ、アーティストのDoran Edwardsによるもの。

クレジット

声:

Doran Edwards, Leadenhall Marketの人々, Kakinoki Masato

Special thanks to:

Michael Koullas, Raffaella Moreira, Martin Lau, Lionel Ward, Tan Wang, Jonny Tanna, Andrew Cheng, Andrew Lewis

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....Related Links..関連リンク....

Nocturnal Creatures - Whitechapel Gallery

Press release of Nocturnal Creatures, Whitechapel Gallery’s late-night festival

Nocturnal Creatures - Sculpture in the City

Musicity x Sculpture in the City - Sculpture in the City

Musicity X Sculpture in the City - MusicityGlobal

....References..参考文献....

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Anonymous. 1765. A Plan of part of the City of LONDON, from the Bank, to Leaden Hall Street, Including the Houses destroyed & damaged by the late Fire, in Bishopsgate Street, Cornhill &c. Nov.r 7.th 1765. London: Printed for JOHN RYALL, at Hogarth's Head in Fleet-Street.

Anonymous. 1898. Sir Gawain and the Green Knight: A Middle-English Arthurian Romance [Online]. London: David Nutt. Available: http://d.lib.rochester.edu/camelot/text/weston-sir-gawain-and-the-green-knight [Accessed 19 July 2018].

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Chaucer, G. 2012. The Canterbury Tales (Penguin Classics), Penguin.

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Cole, B. 1755. A new and correct plan of Limestreet ward with its division into parishes : according to a new survey / B. Cole sculp. London.

Dickens, C. 2012. Oliver Twist (The Penguin English Library), Penguin.

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National Federation of Fish Friers. Federation of Fish Friers - Serving the Fish and Chips Industry - History [Online]. National Federation of Fish Frier. Available: http://www.federationoffishfriers.co.uk/pages/history--599.htm [Accessed 19 July 2018].

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Thornbury, W. 1878. Leadenhall Street and the Old East India House [Online]. London: Cassell, Petter & Galpin. Available: http://www.british-history.ac.uk/old-new-london/vol2/pp183-194. [Accessed 17 July 2018].

Williams, T. 2014. The Glass Menagerie (Student Editions), Methuen Drama.

Williamson, H. 2014. How Dear Is Life (A Chronicle of Ancient Sunlight Book 4), Faber & Faber.

Wilson, C. A. 2003. Food and Drink in Britain: From the Stone Age to the 19th Century, Academy Chicago Publishers.

Wisdom, J. 1985. The A to Z of Regency London, London, Lympne Castle, Kent : Published for the London Topographical Society by Harry Margary in association with Guildhall Library.